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  • Archive for June, 2013

    PREVIOUSLY UNRECORDED WORK BY THOMAS ROBERTS AT SOTHEBY’S

    Tuesday, June 18th, 2013
    Thomas Roberts (Waterford 1748 - 1778 Lisbon) - A LANDSTORM; A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A BRIDGE (£80,000-120,000).

    Thomas Roberts (Waterford 1748 – 1778 Lisbon) – A LANDSTORM; A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A BRIDGE (£80,000-120,000).

    A previously unrecorded painting by the Waterford artist Thomas Roberts (1748-1778) comes up at Sotheby’s sale of Old Master and British Paintings in London on July 4.  A Landstorm; A Mountainous Landscape with Travellers on a Bridge is from an American private collection.

    In style the work belongs to a group of large scale paintings which the artist painted around 1774-5.  The theme is in two paintings commissioned by Sir Watkin Williams-Wynn for his London mansion at St. James’s Square designed by Robert Adam and considered to be one of the grandest houses in London.

    Another version of this composition is at Fota House in Co. Cork.

    OLD MASTERS AT CHRISTIE’S IN LONDON IN JULY

    Monday, June 17th, 2013
    Highlights at Christie’s sale of Old Master and British Paintings in London  on July 2 range from a large scale Dutch interior by Jan Steen to a View of Venice by Canaletto and Poussin’s portrayal of Hannibal crossing the Alps.
    “Easy come, Easy Go”; the artist eating oysters in an interior” by Dutch Golden Age master Jan Steen (1626-1679) is estimated at £7-10 million.  Canaletto’s The Molo, Venice from the Bacino di San Marco has an estimate of £4-6 million and Poussin’s heroic portrayal of Hannibal has an estimate of £3-5 million.  The 52 works on offer are expected to realise more than £30 million.  Estimates range from £30,000 to £10 million. (Click on either image to enlarge).
    UPDATE: The sale realised £23.8 million.  The top lot was Canaletto’s The Molo, Venice, from the Bacino di San Marco which made £8,461,875.
    Jan Steen (1626–1679) ‘Easy come, easy go': the artist eating oysters in an interior

    Jan Steen (1626–1679) ‘Easy come, easy go’: the artist eating oysters in an interior. UPDATE: THIS WAS UNSOLD

    Nicolas Poussin (1594–1665) Hannibal crossing the Alps courtesy Christie's Images Ltd., 2013.

    Nicolas Poussin (1594–1665) Hannibal crossing the Alps courtesy Christie’s Images Ltd., 2013. UPDATE: THIS WAS UNSOLD.

    MASTERPIECES OF 20TH CENTURY BRITISH SCULPTURE AT CHRISTIE’S

    Friday, June 14th, 2013

    Masterpieces of 20th century sculpture will feature at Christie’s Modern British Art evening sale on July 10 in London.  The 37 lots on offer feature artists as diverse as L.S. Lowry, Ben Nicholson, Peter Lanyon and Barbara Hepworth.  The auction will be followed by the Modern British and Irish art day sale at South Kensington on July 11. The sale will feature work from the collection of pioneering dealer Tony Reichardt.  Artists represented include R.B. Kitaj, R.A. (1932-2007), Sir Eduardo Paolozzi, R.A. (1924-2005), Victor Pasmore, R.A. (1908-1998) and Lynn Chadwick, R.A. (1914-2003).  Sitting Couple by Chadwick is taken from a piece he created for the 1998 Venice Biennale.   Two figures sit apart, but appear to lean slightly towards each other.  Chadwick  understood body language to have a far greater power in conveying mood and character than facial features, which he felt to be limiting, hence the faces are blanked. The piece is estimated at £1-1.5 million.

    Curved Form (Bryher II), 1961, belongs to Barbara Hepworth’s Single Form series. Estimated at £1 million  – 1.5 million it is from the collection of the late Leopold de Rothschild.  The series became  associated with Dag Hammarskjöld, the UN Secretary General who tragically died in 1961, and his relationship with Hepworth. Hammarskjöld wanted Hepworth to execute a scheme for the new United Nations building in New York. Curved Form (Bryher II), was as far  as they had got. Thus, in 1961, when the United Nations commissioned Hepworth to make a sculpture in his memory, she began with Curved Form (Bryher II) and in 1964 she delivered her largest ever sculpture, Single Form, to the United Nations.
    Lynn Chadwick, R.A. (1914-2003) Sitting Couple (£1-1.5 million).  Courtesy Christie's Images Ltd., 2013.

    Lynn Chadwick, R.A. (1914-2003) Sitting Couple (£1-1.5 million). Courtesy Christie’s Images Ltd., 2013.  UPDATE: THIS WAS UNSOLD

    Dame Barbara Hepworth (1903-1975) Curved Form (Bryher II) (£1-1.5 million).  Courtesy Christie's Images Ltd., 2013.

    Dame Barbara Hepworth (1903-1975)
    Curved Form (Bryher II) (£1-1.5 million). Courtesy Christie’s Images Ltd., 2013.  UPDATE: This made £2,413,875, a world record for the artist at auction.

    Laurence Stephen Lowry, R.A. (1887-1976) Industrial Landscape (£800,000-£1.2 million).  Courtesy Christie's Images Ltd., 2013.

    Laurence Stephen Lowry, R.A. (1887-1976)
    Industrial Landscape (£800,000-£1.2 million). Courtesy Christie’s Images Ltd., 2013. UPDATE: THIS MADE £935,475.

    Summer 2013 will see a major retrospective of L.S. Lowry’s work opening at Tate Britain, London. There are seven works by the Manchester artist including Industrial Landscape  (£800,000 – 1,200,000) in Christie’s sale. (Click on any image to enlarge it).

    JEWELLERY, SILVER AND WATCHES AT O’REILLY’S OF FRANCIS ST.

    Thursday, June 13th, 2013

    Around 400 lots of antique, Art Deco and vintage jewellery, as well as silverware, watches and paintings, will come under the hammer at O’Reilly’s of Francis St., Dublin on June 19.  Here is a small selection. Click on any image to enlarge it.  The catalogue is on-line.

    An Art Deco diamond bracelet (16,000-17,000).

    An Art Deco diamond bracelet (16,000-17,000).  UPDATE: THIS WAS UNSOLD.

    A heavy gold ring set with an amethyst (1,000-1,400).

    A heavy gold ring set with an amethyst (1,000-1,400).  UPDATE: THIS SOLD FOR 950

    A 9 carat gold cameo brooch (150-200).

    A 9 carat gold cameo brooch (150-200).  UPDATE: THIS SOLD FOR 130.

    An 18 carat gold retro bracelet (1,800-2,400).

    An 18 carat gold retro bracelet (1,800-2,400). UPDATE: THIS WAS UNSOLD

    TO THOSE UNSURE WHETHER TO INVEST IN ART OR GOLD

    Wednesday, June 12th, 2013
    Pablo Picasso (1881-1973) - VISAGE TOURMENTÉ 22 carat gold repoussé plate Diameter: 16 3/8 in.  Courtesy Christie's Images Lt.d, 2013.  (Click to enlarge).

    Pablo Picasso (1881-1973) – VISAGE TOURMENTÉ
    22 carat gold repoussé plate Diameter: 16 3/8 in. Courtesy Christie’s Images Lt.d, 2013. (Click to enlarge).  UPDATE: THIS MADE £193,875

    THOSE unsure about whether to invest in art or gold might find an answer to their prayers at Christie’s.  How about a solid gold plate designed by Picasso?  Exactly such a unique piece will highlight a new annual sale of Picasso Ceramics just launched at Christie’s in South Kensington.

    The auction will take place on June 18 and follows the sale of the Madoura Collection in 2012, which realised over £8 million.

    A highlight of the sale is Visage Tourmenté. This 22 carat gold plate is estimated at  £100,000-£150,000.  Picasso created only a limited number of designs for precious metals. Of the 19 designs made in collaboration with celebrated goldsmith François Hugo, 20 were produced in silver and only one in gold. Visage Tourmenté was bought by the current owner directly from François Hugo in the early 1970’s and has not been seen in public for over 40 years.

    The auction  features 172 lots and includes unique pieces and works in editions.  Estimates range of £100 to £150,000.

    UPDATE:  The gold plate made £193,875 and was the top lot in an auction that was 100 per cent sold.  The sale attracted buyers from around the world.

    LIGHTHOUSE ANYONE?

    Monday, June 10th, 2013
    A painstakingly constructed eight foot tall model of a lighthouse  from Apter-Fredericks at Masterpiece. (Click on image to enlarge).

    A painstakingly constructed eight foot tall model of a lighthouse from Apter-Fredericks at Masterpiece. (Click on image to enlarge).

    18th Century Eagle Console Table. (Click on image to enlarge).

    18th Century Eagle Console Table. (Click on image to enlarge).

    Lighthouse anyone?  An eight foot tall fully working model of a lighthouse is one of the more unusual pieces at the Masterpiece Fair in London from June 27 to July 3.  Apter-Fredericks, one of the founders of the fair, will exhibit the lighthouse in which each coloured piece is a separate piece of wood laid in a geometric pattern. It is part of a selection of 18th century English furniture.  Another highlight at the stand is an Eagle console table made by William Bradshaw.  He supplied a similar pair to Chevening, now the weekend residence of Home Secretary William Hague.

    Brothers Harry and Guy Apter said:  “We are delighted to be part of the fourth, and what promises to be the best, Masterpiece Fair so far.   The Fair is a highlight of our year and has brought much needed style, elegance and excitement to the international art market.  The event draws people in from every age group and from countries across the world and is a delight to exhibit at.”

    BACON’S FIRST SOLD WORK AT SOTHEBY’S IN JUNE

    Monday, June 10th, 2013

     

    Francis Bacon  Head III, 1949 (£5-7 million). (Click on image to enlarge).

    Francis Bacon Head III, 1949 (£5-7 million). (Click on image to enlarge). UPDATE: IT MADE £10,442,500.

    The first work Francis Bacon ever sold, from the legendary first commercial show at the Hanover Gallery in Mayfair in 1949, comes up at Sotheby’s in London on June 26.  Head III 1949 is now estimated at £5-7 million. In 1949 it cost £150.  Bacon’s three studies of Isabel Rawsthorne dating from 1966 are estimated at £10-15 million.  The sale of 69 works with a combined estimate of more than £66 million features a strong selection of Post-War European masters and major British names.  

    Highlights include David Hockney’s paean to his home country, Double East Yorkshire and Bridget Riley’s powerful op art masterpiece of 1964, Stretch. The cover lot of the auction is the most important collection of Andreas Gursky “Stock Exchange” photographs in private or public hands, part of his iconic series of trading floor studies.

    UPDATE:  The auction realized £75.8 million, with an average lot value of £1.43 million – one of the highest figures for this category in London. Francis Bacon’s 1966 triptych portrait of his friend, muse and lover Isabel Rawsthorne sold for £11,282,500.

    GUGGENHEIM’S HOMAGE TO CHILLIDA AT AUCTION AT CHRISTIE’S

    Monday, June 10th, 2013
    Eduardo Chillida (1924-2002) Buscando La Luz IV (Looking for Light IV) corten steel © Zabalaga-Leku (Click on image to enlarge).

    Eduardo Chillida (1924-2002) Buscando La Luz IV (Looking for Light IV) corten steel © Zabalaga-Leku (Click on image to enlarge).  UPDATE: THIS SOLD FOR £4,093,875

    The complete Homage to Chillida exhibition at the Guggenheim Museum Bilbao in 2006 will be auctioned at Christie’s in London on June 25 and June 26 next.  The show, a tribute to the Basque sculptor who died in 2002, featured works by major artists made in response to Eduardo Chillida. It included 45 sculptures, paintings, and drawings by artists including Elsworth Kelly,  Cy Twombly, Zao Wou-Ki, Miquel Barceló, David Hockney and Anish Kapoor. A highlight is Chillida’s monumental sculpture Boscando la Luz IV, 2001, which was on long term display at the Yorkshire Sculpture Park from 2002-2004 before its installation at the Guggenheim, Bilbao in 2006. It is on view a the Royal Hospital Gardens, Chelsea, London until June 26.

    A master of Post-War sculpture,  Eduardo  Chillida made work that explored both material and form, but beyond that, he became a philosopher and an architect of the void. Throughout his career, Chillida questioned notions of time, space and material in a variety of different media that include iron, alabaster and terracotta.

    JOYCE READING ULYSSES AT SOTHEBY’S NEW YORK

    Saturday, June 8th, 2013
    Joyce, James Ulysses (pp. 136-137). Paris: Shakespeare and Company, 1924.

    Joyce, James
    Ulysses (pp. 136-137). Paris: Shakespeare and Company, 1924.  UPDATE: THIS SOLD FOR $43,750.

    Joyce, James Anna Livia Plurabelle Part I  from "Work In Progress."  Cambridge: The Orthological Institute, [ca. 1929.

    Joyce, James
    Anna Livia Plurabelle Part I from “Work In Progress.” Cambridge: The Orthological Institute, [ca. 1929.). UPDATE: THIS SOLD FOR $5,000.

    A 1924 recording of James Joyce reading Ulysses is a feature lot at Sotheby’s Fine Books and Manuscripts, Including Americana sale in New York on June 11.  The 12″ single sided 78 rpm recording is complete with a printed white paper label signed and dated by Joyce and dated Paris, November 27, 1924.  It is estimated at $15,000-20,000.

    A second lot features Joyce reading Anna Livia Plurabelle Part I from “Work in Progress” Cambridge: The Orthological Institute c1929.  It contains a typed and autographed label pasted over His Master’s Voice pictorial label.  Further highlights of the sale include rare dust-jacketed copies of F Scott Fitzgerald’s first two books and a copy of The Great Gatsby with the author’s notes transcribed. (Click on either image to enlarge it).

    MEALY’S TO HOLD ANTIQUE AUCTION IN DUBLIN

    Friday, June 7th, 2013

    More than 400 lots will come under the hammer in an auction by Mealy’s of Castlecomer at the Conrad Hotel in Dublin on June 23.  Titled the Dublin Residence Sale it comprises lots from four private collections and features Irish art, period furniture, Indian and South East Asian art.  The catalogue is on-line.  Here is a small selection (click on any image to enlarge it):

    AN IRISH CARVED MAHOGANY SIDE TABLE, probably by Butler of Dublin, late 19th century, early 20th century (4,000-6,000).

    AN IRISH CARVED MAHOGANY SIDE TABLE, probably by Butler of Dublin, late 19th century, early 20th century (4,000-6,000).  UPDATE: THIS MADE 4,400

    PATRICK O` REILLY (B.1957) Shamen, 1/1 unique (5,000-7,000).

    PATRICK O` REILLY (B.1957) Shamen, 1/1 unique (5,000-7,000). UPDATE: THIS WAS UNSOLD.

    AN IRISH VICTORIAN KILLARNEY YEW WOOD AND MARQUETRY LIBRARY OR CENTRE TABLE, (6,000-9,000).

    AN IRISH VICTORIAN KILLARNEY YEW WOOD AND MARQUETRY LIBRARY OR CENTRE TABLE, (6,000-9,000). UPDATE: THIS MADE 7,000

    ATTRIBUTED TO JOHN BUTTS (1728-1765), Figures by Powerscourt Waterfall (15,000-25,000).

    ATTRIBUTED TO JOHN BUTTS (1728-1765), Figures by Powerscourt Waterfall (15,000-25,000). UPDATE: WITHDRAWN AT 12,000

    AN EXCEPTIONAL PLUM PUDDING MAHOGANY AND SATINWOOD GRAND PIANO, by Erard of Paris, no 80080, 13 & 21 Rue du Miul Paris (12,000-18,000).

    AN EXCEPTIONAL PLUM PUDDING MAHOGANY AND SATINWOOD GRAND PIANO, by Erard of Paris, no 80080, 13 & 21 Rue du Miul Paris (12,000-18,000). UPDATE: THIS MADE 12,000

     

    A CARVED WOODEN INDIAN DOOR, 17th/18th century, profusely decorated with fifteen unique panels (1,800-2,500).

    A CARVED WOODEN INDIAN DOOR, 17th/18th century, profusely decorated with fifteen unique panels (1,800-2,500). UPDATE: THIS MADE 1,450

    PATRICK HENNESSY R.H.A. (1915-1980) Five Roses, still life (4,000-6,000)PATRICK HENNESSY R.H.A. (1915-1980) Five Roses, still life (4,000-6,000) UPDATE: THIS WAS UNSOLD.